We finally got around to watching both films. This Lady Macbeth (as I mentioned in a recent post) isn’t the Shakespearean version, but based on a novella published by Nikolai Leskov in Dostoevsky’s Epoch. Woman in unhappy marriage, adultery, then more adultery, then consequences. Profoundly Russian (and French!) The film is minimalist in its approach, which works beautifully. We both liked it.
Salma Hayek’s Beatriz at Dinner is also an interesting proposition. It takes place in a setting very similar to Sotogrande, in a house very similar to the ones we know, with people very similar to the ones we’ve spent our lives surrounded by. At a certain point I stopped the film and asked Mike if we were those people. He said no, because we make a conscious effort to be nice. But wouldn’t those people think precisely that? That they’re so nice they even invited the healer to dinner. To sit at the same table, no less! Anyway, the film is intense all the way through. You’re never really sure what’s going to happen next. Definitely worth seeing.
Ouch, Pinky. I don’t think I could watch the Salma Hayek movie. I think I’d end up shouting at the TV like a senile old lady.
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That factor makes it sort of wonderful 😀 It also makes one think about where the line is between friendly dinner party humour and language used to establish social hierarchy. Or if that’s all just one thing?
There were a few moments in the film where I could recognise things I’d said before, or at least I’ve said similar things in similar ways.
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There’s always an element of social dominance when humans get together, but I like to think that most of the time we can be humane as well as human.
Btw, you’re not the only one with a sharp tongue. I got very drunk at a party once and tore an anglican minister to shreds. Only verbally, but …my ex nevr let me forget it. 😦
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I think I would like that movie. . . 🙂
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If you have a chance do go see it. It’s not one those films that you watch and forget immediately. It stays in your head for days.
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There was a recent Macbeth with Marion Cotillard and Michael Fassbender. It’s very traditional, but their performances are intense.
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